Demi Moore and Ali Larter have negotiated a significant pay increase for Season 3 of The Landman, according to a new report.
According to Deadline, Moore, who plays Cami Miller on the show, will earn between $740,000 and $770,000 per episode, the same as her co-star Billy Bob Thornton.
Most contract negotiations for cast members were concluded by April, but Larter only recently reached an agreement that more than doubles her salary.
The “Heroes” alum who plays Angela currently earns about $350,000 per episode, the outlet revealed on Tuesday.
Representatives for Moore, Larter, and Paramount+ have not yet responded to Page Six’s requests for comment.
In addition to Mr. Moore, 63, and Mr. Larter, 50, the entire original cast of the Paramount+ series directed by Taylor Sheridan will also receive significant pay increases this season.
Jacob Loughran and Michelle Randolph received an increase from $130,000 to $180,000 per episode, followed by Paulina Chavez, Kayla Wallace, Mark Corry, and James Jordan.
Thornton, 70, previously signed a three-year contract with annual increases, and will be involved in contract negotiations if Landman returns for a fourth season.
The show, based on the podcast Boomtown, will first air in 2024 and follows billionaires trying to get rich in the oil industry.
Production on Season 3 will begin at the end of August in Fort Worth, Texas.
In addition to “Landman,” Sheridan is also the mastermind behind “Yellowstone” and its prequel series “1883” and “1923.”
“Landman,” in particular, will continue to air on Paramount+ despite its showrunner clashing with network executives and signing a deal with NBCUniversal late last year.
Over the weekend, the 56-year-old “Yellowstone” creator eviscerated those who criticize his creative process, calling them “fuck, to be honest.”
He praised “when Steve McQueen was a movie star at Paramount and Bobby Evans ran the studio,” explaining that “there were no endless rewrites. There were no meetings with executives about tone and atmosphere and all that nonsense.”
The screenwriter added that his case “wouldn’t win an Emmy.”
“That’s not what I meant,” Sheridan explained. “My goal is to put someone on the couch, move someone, make them think, make them laugh, scare them, get them excited. That’s what I want to do, because that’s what I want from the show.”
