Paparazzi first captured Zoe Kravitz wearing an engagement ring from Harry Styles in April, but it took months before Kravitz properly debuted the sparkler herself. The actress wore it to jeweler Jessica McCormack’s Summer Solstice Party in London, and photographers captured it in more detail.
This photo changed the way jewelers looked at rings with their clear bezel settings and large carat weights. “What’s particularly appealing is how this ring balances bold minimalism with old-world style,” Steph Mazuela, who founded her eponymous brand of custom engagement rings, tells ELLE. “Diamonds of this size can feel overt, but the bezel softens that. This blends well with a more understated, personal approach to luxury, and is very contemporary and very much in line with Zoe Kravitz’s aesthetic.”
Lauren Bock, founder and CEO of Hella Fine Jewelry, puts it more succinctly, calling it “a very modern version of the classic solitaire.”
Here, the jeweler discusses the details of the Styles actress’ ring.
Kravitz’s ring has a cushion-cut diamond in the center, which could be an old mine cut.
Like her friend Taylor Swift, who has her own cushion-cut diamond engagement ring, Kravitz and Styles chose the timeless shape of the diamond cut.
“Zoe’s ring appears to feature an elongated cushion-cut diamond that highlights the beauty of the stone, and the large table allows you to see inside the diamond,” said Angie Kennedy, vice president of merchandising at Zoe’s.
Mazuela agrees, adding, “The stone looks like a cushion cut or an old mine cushion. It’s slightly elongated, but still maintains a soft round shape that feels very romantic.”
Ms. Bock explains that this is a trendy choice, noting that her own clients request elongated cushion cuts, modern cuts, and antique old mine cuts. “I think it’s a combination of factors,” she says. “The elongated cushion cut is a natural successor to the very popular oval cut, and ever since Taylor Swift got engaged, many people have been very interested in the old mine cut.”
The center stone is believed to be 5 to 10 carats.
It’s hard to determine the exact size based on the photo, but all three jewelers agree it’s a large diamond. Boc gave the most conservative estimate of 5 to 6 carats, but Mazuela believes it is 5 to 7 carats.
The Kennedy has the highest value of all, at 8 to 10 carats, and “quickly moves into statement territory. Although heavy, the clean setting gives it a lofty feel without being overly flashy, very much in line with Zoe’s aesthetic,” says the jeweler.
It is estimated to be worth between $300,000 and more than $500,000.
Naturally, large rings come with a high price tag. However, Mazuela explains that it is difficult to pinpoint exact numbers. “It’s difficult to assign an exact value without looking at a diamond’s specifications up close. Slight differences in color, clarity, cut quality, and origin can have a significant impact on the price of a diamond in this carat range. That said, a diamond of this size and style will likely fall well into the low six figures.”
Boc estimates that a natural diamond could be worth more than $300,000. “A completely colorless, perfect version could cost over $500,000,” she added.
Kennedy agrees with Boc’s upper end of the price range, saying, “Assuming a high-quality natural diamond, a ring like this would cost approximately $500,000 or more, depending on the stone’s specifications.”
The diamonds are held in a narrow bezel setting rather than prongs.
Kennedy highlights the bezel’s influence on the ring’s design, saying, “A thin, minimal bezel is at the center, creating an unconventional setting that doesn’t rely on traditional prongs. Instead, the bezel rises about halfway up the center stone, providing both structure and security. Despite the diamond’s considerable size, the ring sits relatively low, giving it a more modern, wearable feel.”
The setting is minimalist and intentional, she says. “That choice makes the diamond feel more integrated into the design, maximizing its visibility and aesthetic value while prioritizing safety and durability.”
Mazuela agrees, saying, “What stands out most is the bezel setting. It’s incredibly minimal and sophisticated, allowing the diamonds to feel bold without resorting to additional details. There’s a quiet confidence to a bezel of this scale, favoring shape and proportion over embellishment.”
Because the rings sit low on the fingers, you may not be able to stack the wedding bands at the same height.
Bock said Kravitz’s ring sits low on her finger, making it more comfortable to wear, but the way she stacks her wedding bands will likely change.
“Most people prefer to lift the diamond out of their hands so that the wedding ring can slide underneath and line up flush with the engagement ring, but personally, I’m an evangelist for low settings, especially bezels,” she says. “Very comfortable and durable.”
This is a logical choice considering how large Kravitz’s diamonds are. “Higher settings, especially at this carat weight, are top-heavy and have a tendency to snag, hit things, and tip over in your hands,” Bock continues. “It’s an elongated diamond set low, at finger height, so it can create a gap between your engagement ring and her future wedding ring, but I personally like the look. It’s very chic to not worry about too much gap and gives your wedding stack a lot of personality.”
Set in yellow gold.
Mazuela says the choice of metal also changes the feel of the ring. “The diamonds are set in rich, buttery yellow gold, giving your hands a warm and soft feel.”
This ring reflects multiple bridal jewelry trends.
Beyond the diamond cut, Kravitz’s entire ring is the stuff of Pinterest inspiration boards. Kennedy says, “This ring takes advantage of some of the big changes we’re seeing right now: larger, statement center stones combined with clean, structured settings. There’s also a strong movement toward bezels and low-profile designs, making them more wearable.” It feels blue and fashion-forward. Zoe sits firmly in the trendsetter category here. This is the kind of ring that will definitely influence what we start seeing in both fine jewelry and bridal next season.”
She added that the ring “effortlessly strikes a balance between scale and wearability. It’s a big ring, but it doesn’t feel overdone.”
For Mazuela, the ring reflects a broader aesthetic shift toward singularity. “It’s a special stone simply set in an unadorned band,” she says. “We’re moving away from more intricate, decorative designs and instead focusing on clarity, allowing us to really enjoy the brilliance of the center stone. There’s also a growing appreciation for bezel settings that feel modern, slightly unconventional, and more integrated into the wearer’s daily life.”
