Taiwan’s Creative Content Fest (TCCF) has solidified its position as an essential destination for international content players, with this year’s Marketplace selling all 112 booths on the first day of registration and drawing 118 exhibitors at the November event.
The 2025 edition, held at Taipei Mei Nangang Exhibition Centre on November 4-7, marks an important milestone with the debut of the dedicated national pavilion from Korea and France, as well as the first participation from official institutions in Thailand, the Philippines and Hong Kong.
Korea Creative Content Agency (KOCCA) brings heavy batters to its first Korean pavilion, including public broadcasters KBS and MBC, Telecom Giant KT’s KT Studiogenie, Media Powerhouse SBS’s Studio S, and K-Pop specialist Kang Contents. The Gyeonggi content agency, which signed a memorandum with Taicca (Taiwan Creative Content Agency) in 2024, will also bring in content companies and investors in the region.
France coincides its commitment with its own pavilion, jointly organized by Institut Français and Business France. The delegation includes ten companies spanning films, animations and immersive content, with emphasis on the Center National Ducinemaet Dell Image Animation (CNC), BPIFRANCE, and the highly acclaimed Series Mania Festival, and will dispatch representatives to explore opportunities for border crossing.
The international force consists of 51 exhibitors from France, Japan, South Korea, Singapore, Thailand, the Philippines and Hong Kong, with 67 Taiwanese companies across film, television, animation, publishing, comics, performing arts and games.
The Thai government-established creative economy agency is making its TCCF debut in pursuit of partnerships with Taiwanese creators. Meanwhile, the Philippines’ International Trade Expo and Mission Centre aims to increase global visibility of Philippine content. Hong Kong is represented by Regentact, a specialist in cheering media known for its expertise in distribution and co-production of Asian content, as well as programmatic distribution.
Locally, Taiwan’s Animation & Visual Effects Association has launched the Animation & Visual Technologies Zone with 14 local animation companies, showing the island’s full production capacity from pre-production to distribution.
The Production Resource Zone will connect film committees and shooting support centres from eight major cities and counties: Taipei, the new Taipei, Taiwan, Nantu, Qiai and Kaoh Shun, promoting production services to Taiwan’s diverse film locations and international crews.
Taika’s chairman Su Wang said record-breaking international participation has shown strong global market interest in Taiwan’s creative content industry, and TCCF expresses hopes to bring outstanding works and creators to the global stage.
