Bianca Sensori literally rode it “bareback”.
In her first in-depth interview with Vanity Fair, the 31-year-old architect and performance artist revealed more than just her skin, finally speaking publicly about her marriage, her husband’s anti-Semitism, and the years-long performance art project she’s been doing with clothes on.
“I was naked everywhere,” Sensori told the magazine. “I never stepped away from it at any point. I consistently showed the same image over and over again. I live my artwork.”
This spread, photographed by Katie Grannan, features censors in various states of undress.
In one striking shot, she sits astride a black stallion, covered only in long black synthetic fur and complete with toe rings. While they don’t have Kim Kardashian’s infamous skim style, they do feature fishnet stockings, pin-up-style underwear, and even fuzzy thongs.
But the real revelation came orally. After three years as the internet’s most notable silent figure, Sensori answered the nation’s long-standing question of whether her barely-there costumes are self-expression or spousal control.
“I don’t do anything I don’t want to do,” she said, adding that she collaborates with Ye, 48, on her look. “So it was more of a collaboration, we were never ‘told to do something.’ If you were married to Gianni Versace, wouldn’t he give you a dress or something? ”
The Melbourne natives have been testing the limits of public order since they were first spotted together in January 2023.
Some of her biggest hits include a sheer bodysuit, an edible candy bikini, a transparent raincoat with nothing underneath, and a see-through stocking dress worn on the 2025 Grammys red carpet.
Sensoli’s rise to fame culminated in her becoming the most Googled woman in the world in 2025. “I don’t mean to sound like I’m bragging, but no one has ever held that high-profile position without a statement,” she explained. “If it was just nudity, a lot of people would think so. But it also proves that mystery still has power in a time of overexposure and vulnerability.”
This feature follows the Seoul art show “BIO POP,” which debuted in December. For the performance, Sensori wore a blood-red latex catsuit, while Kagemusha, wearing a flesh-colored bodysuit, was distorted to look like furniture.
Why did a woman who built an empire of intrigue on silence choose to speak out now?
“I want to talk to you about something,” she said. “Requiring me to speak is itself a form of control.”
Or, as she put it more succinctly, “My life is my art. Isn’t that so annoying?”
