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Home » Spain brings “maid’s daughters” and “purebreds” to content America
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Spain brings “maid’s daughters” and “purebreds” to content America

adminBy adminJanuary 21, 2026No Comments6 Mins Read
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Atresmedia Sales’ “The Maid’s Daughters,” RTVE’s “Esperanza District” and Mediterráneo’s “Pure Bred” are scheduled to be among Content Americas’ Spain highlights and will anchor the main ballroom session on January 21 titled “Spain’s Most Anticipated Content Announcements.”

The event is organized by Spanish Audiovisual, a national content brand supported by ICEX.

Together, these three titles give buyers an easy introduction to what Spain is bringing to the table in Miami. Premium drama built for travel, scripted for a wide audience scripted with a clear engine, and commercial storytelling at scale designed for primetime and streamer windows.

“The Maid’s Daughters” is one of Spain’s latest major film adaptations, with Spanish players increasingly turning their best-known IPs into premium series that are clearly positioned for buyers around the world.

“Esperanza District” highlights a parallel push for accessible, ensemble-driven shows with familiar settings and reproducible storytelling mechanics.

Meanwhile, “Pure Bread” demonstrates Spain’s continued commitment to large-scale, engaging commercial dramas that can provide weekly hooks and scale, and this type of work remains in demand as platforms and broadcasters look for reliable audience drivers.

Confidence through macro data Macro data strengthens confidence in the export of Spanish products. According to an ICEX-Parrot Analytics study presented at MIPCOM 2025, Spain recorded a 26.1% hit rate (the percentage of Spanish titles in the top 20 non-English titles in terms of global streaming revenue from 2022 to the first half of 2025), while demand for Spanish content in Asia increased by 63% year-on-year.

The report places Spain among the top three countries in the world for non-English streaming revenue over the same period, reinforcing Spain’s character as a reliable supplier rather than an occasional outlier.

Content Americas also includes productions from companies such as Wawaland Planet, Plano a Plano, and Scenic Rights, reflecting Spain’s broader push across transmedia IP, large-scale scripted production capabilities, and a copyright pipeline that will feed the next wave of adaptations.

Take a closer look at some of the Spanish programming on this year’s Content Americas Edition.

“Call My Agent” (“La Agencia”, Good Mood (Mediawan)/Mediterráneo/Mediaset España, Spain)

This adaptation of the hit French show follows Madrid agents as they navigate celebrity failures, rivalries and romances as a top talent agency struggles to survive in show business. It was released on Mediaset España’s Telecinco on September 10th, and the comedy began streaming on Disney+ on December 4th.

“Esperanza District” (“Barrio Esperanza”, RTVE/Globomedia (The Mediapro Studio), Spain)

RTVE primetime social comedy created by Iván Escobar (The Boat, Locked Up) and Antonio Sánchez Olivas (7 Lives, Aida). Mariona Telles toplines stories of teachers, parents, and children navigating crisis and second chances within the public schools that are the lifeblood of their communities.

“Mouths of Sky” (“Zeru Ahoak”, EiTB/RTVE, Spain)

A 4-episode Basque Noir limited series. Sequel to “Suna no Mouth”. Once again directed by Cordo Armandos (“Intimacy”) and starring Nagore Aramburu (“Cueller,” “Los Domingos”). It premiered at the 2025 San Sebastian Film Festival and received positive reviews. The film, distributed by Filmax, follows a disgraced former police officer who returns to Bilbao to investigate a ritual murder and uncovers a secret that threatens her fragile recovery.

“Not For Sale” (“Ravalear”, Arcadia Motion Pictures/Supernova/3Cat/Umedia, Spain/Belgium)

HBO Max Flagship trending Filmax sales titles for Spain and Portugal. Pol Rodríguez and Isaki LaCuesta, two-time winners of the San Sebastian Film Festival’s Golden Shell, reunite. A family-run restaurant in Laval, a working-class district in central Barcelona, ​​is facing eviction by corrupt investment funds, forcing three generations into dangerous and unconventional resistance. He was selected to play at the Berlinale Special Series Festival in February, along with just five other titles from around the world.

“One Year and One Day” (“Un año y un día”, Con Un Pack Distribución/A Contracorriente Films, Spain)

Director Alejandro San Martín’s feature debut follows a heartbroken man who dedicates himself to piano lessons for a year in the hope that music will bring back his lost love. The film premiered at last year’s Malaga Film Festival and was presented internationally by Con Un Pack.

“The Celeb Challenge” (“El Desafío”, Atresmedia/7 y Acción, Spain)

A stunt-driven celebrity format from Onza Distribution. From the same producer as Spain’s most exported access, prime time entertainment brand “El Hormiguero”. On The Celebrity Challenge, celebrities take on extreme stunts and psychological trials each week in pursuit of bragging rights as coaches and judges raise the bar.

“The Maid’s Daughters” (“Las hijas de la criada”, Buendía Estudios Canarias/Atremedia, Spain)

Two girls born in a Galician mansion exchange fates in a battle for revenge and inheritance, reshaping their family empire. The film is based on Sonsores Onega’s novel “Premio Planeta” and is directed by Menna Fite (“Elite”) and Alejo Fulla (“Sex Easy, Movies Are Hard”). Sold by Atres Media Sales.

“Panama Papers” (“Papeles”, Q Films/El Sueño Eterno Pictures/Criatura Cine, Panama/Spain/Uruguay)

A feature-length thriller directed by Arturo Montenegro and starring Megan Montaner, Carlos Bardem, and Antonio Decento. Distributed and sold by Con Un Pack. The story follows a female professional who fights to protect her family as an offshore leak scandal explodes and secrets turn dangerous.

“Pure Bred” (“Pura Sangre”, Mediaset Espana/Shine Iberia, Spain)

Telecinco’s primetime family thriller. Macarena Rey, Arantxa Ecija and Nacho Faerna served as executive producers. The story of a poisoned champion stallion that sparks an investigation that tears apart an aristocratic breeding dynasty built on secrets and money. Sold by Mediterraneo.

“Traffic Jam” (“Atasco”, Onza Entertainment/Publicis Rebellion, Spain)

A blockbuster anthology comedy produced, written and directed by Rodrigo Sopeña. An overnight traffic jam brings together stranger romance, crime, and breakdowns, with each episode following a different trapped driver. Season 3 was released on Prime Video on December 22nd.

“What are you waiting for?” (“¿A qué estás esperando?”, Atresmedia/DeAPlaneta/Diagonal TV/Buendía Estudios Canarias, Spain)

An eight-episode romantic comedy based on two novels by best-selling author Megan Maxwell. The series features two young couples who are reluctant to make a definitive commitment, and talks about the contradictions of love and modern choices. Producers include ‘The Gypsy Bride’s’ Diagonal, part of Banijay Iberia. Atres Media is in charge of sales.

“Wild Valley” (“Valle salvaje”, RTVE/StudioCanal/Bambú Producciones, Spain)

RTVE’s daily period drama by Josep Sister Rubio, creator of the International Emmy Award-winning television novel “The Vow.” RTVE positions “Wild Valley” as the first global soap opera with a Netflix deal for Spanish-speaking countries. In 1763, a young woman is forced into marriage in a remote valley where betrayal and passion constantly clash.



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