Kanye West had no honest problems. The rapper’s tempered drive, often bundled into conversations about mental health, pushed him to the top of pop culture and later defeated him from the top.
The constant airing of anti-Semitism, misogyny, anti-LGBTQ rhetoric and the dirty laundry of his family have been worrisome Grammy winners for nearly a decade, alongside the cheating of Magazine and Christian salvation. What kind of defense is worthy of the West (also known as you)? What can his perspective offer now?
“Whos Name?”, a new documentary featuring an unfiltered footage raft in Yea’s never-ending ordeal, has some clues. More than that, it gives engaging insight into one of the wildest downfalls in entertainment history.
Here’s what I learned from the project directed by longtime West Collaborator Nico Ballesteros:
Medicine and “freedom”
Ballesteros movies play like a whac-a mole journey through your troubles starting in 2018. But the touchstone of the project’s narrative is his previously revealed commitment to living without bipolar disorder medication. The film explains that it sleeps in the west, and opens to the daughter’s north, and toddlers in the west. “If you fall asleep, wouldn’t you even walk?” Tot says. “I need to stay awake,” he replies. This is the framework in which you see his spiritual struggle. This consistently promotes “freedom,” which the West has defined as a drug-free lifestyle.
Although well documented on his own social media for the past seven years, West’s mental health struggle reads differently when edited into feature films. His crusades are more urgent and less random when they cling to his art and business unstable corporate partners, like Shoemaker’s Adidas and the labels of music, and creep into every moment of his life.
Director Ballesteros abandons most of the ratios seen in documentaries that have discovered a desire for objectivity, he speaks of diversity.
“It was important to create observational documentaries and embrace Cinema Verite without creating participatory documents. There was no talk or interviews. I knew it as an 18-year-old. I wanted to create something purely observational.
“SNL” subplot
Those who tracked West’s Spirals in Magalfold – those who completed the “White Live Matter” T-shirt and a strategy session with Candice Owens certainly remember the look of “Saturday Night Live” that grabs his headline. Two years after President Trump first won the presidency, you appeared in a maga hat and used the tail end of the show to rant about “mind control” and his new political alliance. “SNL” cut his speech, but the document reveals truly chaotic behind the scenes behavior.
Former cast members Leslie Jones and Jay Faroar meet the stone as they ask West what the potential sketch starting point the rapper stars.
“I have no access to this, I’m literally in slavery today, and I’ve been accused of my people not to let my heart go,” West tells the comedian. “Motherfuckers who own the stadium will go back to their last name. They owned ointment. We are more expensive now, even if we work for NBC.”
West then costs him $80 million to buy back his record catalog from his music label, and continues to say that the music legend Prince says, “I couldn’t afford it. He doesn’t have shoes.”
Michael Choe criticized the “black comedian” who “joking about Bill Cosby” by taking the stage earlier, hinting at the “weekend update” anchor. Choi went straight into Nishi’s face and asked why he said such “foul shit” when the cast praised him and welcomed him like family. The end of the west. Longtime talented Wrangler and “SNL” producer Lindsay Shokos immediately tried to appeal to Ballesteros behind the camera and said, “Can’t you do that?”
Perhaps the most shocking sycophantic is the look by Chris Rock in your dressing room after an argument. Rock resembles the west of Sinead O’Connor, who tore a photograph of Pope John Paul II to protest sexual abuse in the Catholic Church in the 1992 appearance of “SNL.” “No one knows anything,” Locke told the west, embracing him.
Kim’s pain
West has fought years on social media and on family courts with his ex-wife and co-parent of four children, Kim Kardashian. “Whose name?” he could have strengthened as a sil controlling the painting he painted. The opposite is true. With its objectivity, the film makes Kardashian suffering clear as her partner changes right in front of her eyes (see the exclusive clip of the tense interaction between the pair at the top of this post). Tears are fast and often come, as seen on our 2018 visit to Uganda. A fierce tantrum from Ye, directed at Kardashian and his cousin Kim Wallace, leaves her fool.
“Your personality wasn’t like this a few years ago. It was so far away, and there was very little in between,” Kardashian says. “In every conversation, it wasn’t every day.” An insider familiar with West’s ideas says he repents about much of the film’s content, but he didn’t want to interfere with the final product.
Kardashian declined to provide a comment on the story. Her famous family is also drawn into your tail spin. After West caught the Heat for a 2018 White House sit-in, he returns to Los Angeles and feels “debilitated in this house by his wife and Kris Jenner.”
In another high decibel cry, West asks Kim’s mother Jenner if he feels partially responsible for the mental breakdown and hospitalization that precedes his Trump Chat. “Yes, I say yes,” Jenner tells him through her own tears, beside her partner and reality television star Corey Gamble. “And I love you.
Kim’s Sisters – Chloe, Courtney, Kendall and Kylie get a glimpse into what appears to be a wedding vow renewal from 2019. Suffocate the tears.
Kardashian filed for divorce from the West in 2022.
Charlie Kirk, left, Candice Owens and Ye.
name
Given West’s former icon status, “Who’s Name?” is full of celebrities and outstanding artistic, political and cultural figures. Archive footage from his Golden Age includes interactions with Beyoncé and Jay-Z, Justin Bieber, Lady Gaga, Rihanna, LeBron James, Anna Wintoll, David Letterman, Naomi Campbell, Drake and Farrell.
Then, around 2019, West sat in a strategy session with Pandit Candice Owens and the late Charlie Kirk.
“We have to show you an example of a less perfect black celebrity who’s still winning,” West tells Owens and Kirk. “Because you’re a celebrity, you’re black, you’re perfect? You’re a housekeeper.”
“You are a slave to glory,” agrees Owens. Kirk agrees, as it reflects West as it appears to be “help” in the structure the rapper establishes.
Owens said, “Culture will always be upstream from politics. Anyone who can control culture can control politics. Are you wearing a magazine hat? It’s broken the internet.”
